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David Trahan

In mid-January of this year, I was joined on one of my new podcasts by the proprietor of NewOrleansMusicians.com. We met originally on the Mississippi River in a previous life and time under considerably different circumstances. I wouldn’t call it a chance encounter as it was our respective day jobs that brought us together that morning, but it was, without question, an intriguing introduction. He wasn’t like any other I’d met in his position. Little did I know the complexities of the man standing before me.

The opportunity to observe and study David’s mind in action was one with which I’d been eager to embrace. I wanted to know what made him tick. There was an odd connection that morning on the river. I most certainly had a sincere interest in his intended topic of discussion for our podcast visit, but also very much in the side of him that he seemed to be low-key deliberately keeping separate from his web presence. I appreciated his candor and participation in my podcast project, and owed him the very same respect he’d shown me, though our very first moment meeting would have suggested no such thing. 

I was working for one of the largest towboat and barge companies in the country, and his employer was no slouch either. They were a contractor for us. I’d boarded the vessel at an opportune time where I got to spend time with back watch first. Back watch had the characters (I thought). Some of those guys preferred it. It was such a different pace of life out there.  I could feel it in the air in the wheelhouse that morning.  A certain choking silence intruded as he came back up for his next six-hour watch.  A flurry of perceived thoughts resounded across the space between us and in that glare that stared at me as he came up those steep, wooden stairs…

“You mother fucker. I haven’t had coffee yet. Who the fuck is this guy? Why is he in my wheelhouse?”

And then the other pilot chuckled his way back downstairs.  I may have fabricated these thoughts in my recollection and retelling here, but anyway, I digress.  I paused for a moment when he first appeared before me. I blinked myself into quiet and regained my composure. This guy was different.  He was distracted by a pointless distraction, but I was really only there to make money.  I had a household to support.  I’d been visiting boats to help coach pilots on a new computer system every other week for a while by then.  David didn’t really need my help in the system. A few pleasantries and minor questions about the new system precluded a much deeper and more engaging conversation.

It turned out that our mutual misconceptions were forgotten when the coffee pot began dripping behind him. I kept in touch deliberately over time. He wanted to promote his project on my new podcast, and his passion for this website I hadn’t heard of was clearly evident and on display. I didn’t much follow the music scene these days, but I was, indeed, from just outside News Orleans.

My podcast projects document the lives of my guests from a broad array of origins and journeys through life. I’d kept in touch with David over the few short years since we’d first met, and often discussed the side projects upon which we’d both been so feverishly working on our time off. In one of the more recent of those conversations, he shared the story of a passion project of his to develop a service for the local music industry in The Big Easy that had been in production for many years, lingering forever in the back of his mind.

‘I sat back in quiet awe as I studied the backdrop before which he sat looking toward me. His studio mic reached out from left to right on screen and sat ready at his chin. He’d done this before. I knew this should be a good one.’

The conversation began as they all did, and I learned we grew up in the same area of southeast Louisiana just outside New Orleans, but we did so a decade apart.  It was a different world.  He was in my older brother’s generation, but some sort of trust had somehow developed between us over time. There was an unspoken acknowledgement of mutual respect, understanding and comprehension, but from when he had first left home to the time I met him, our lives couldn’t have been more divergent.  

His journey through life began as most others do. He showed up one day in 1976 and developed a love and appreciation for music at a very early age. Gifted in school, but drawn more to life in the streets, he found himself traveling aimlessly down the wrong path.  Disenchanted and distracted, he didn’t even finish college. Working odd jobs between and after classes wasn’t cutting it, nor were the jobs he’d been able to secure in the interim after cutting ties with his tertiary education.

The need and desire for disposable income and a happenstance job listing led him to a career entirely unrelated to music. It provided a path and direction out of trouble and well offshore.  Amidst a developing career in an industry to which he’d had little to no exposure previously, an opportunity arose for him to acquire the full rights and ownership of a website project he believed in. He endeavored to secure a web presence and acquired every available domain he could that may pertain to his new project.

His respect for the industry in which he worked professionally, and the knowledgebase upon which he drew on the job, led naturally to the drive and ambition that structured his pursuit of the passion project he sought to develop online when he was at home. It had become an obsession. With a growing family and an already demanding career, NewOrleansMusicians.com had not fallen by the wayside. It remained at top of mind for him no matter where he was or what he was doing.

What began as a networking tool for local bands, the website, NewOrleansBands.net, had grown organically to about 300 bands in its original configuration. The website was hosted out of town, so it remained online through Hurricane Katrina in late 2005, and kept local bands in touch with one another. David’s intended acquisition was delayed due to his job offshore, but in all of his spare time, he was drawing out by hand every page he’d imagined for the website he sought to own.  

The challenges of web development at that time were obstacles preventing his dream.  He persisted nonetheless. In 2021, after years of spending money to maintain an excessive amount of owned domain names that tied directly to his website, he was spurred by a wife that had seen and heard enough about it.  Since then, he found and hired a programmer to deliver the dream he’d envisioned. While he hasn’t yet realized the grand design, he’s moved it every month toward the finish line.  If you’re a band anywhere in the state of Louisiana, or a part of any supporting service for the entertainment industry, check out NewOrleansMusicians.com.  

Grow together.  Geaux together.

We touch on his wife and family after he paints the dreamscape of his website.  Then, from rebuilding a ’76 Chevy to tinkering on the piano, the website still outshined the rest. There was a certainty about him, a dreaminess, a gleaming eye. He knew he wouldn’t be where he was without the nudge of the support system that awaited him at home for ten days at a time on repeat seemingly forever.

“Here I am all grown up, Tim,” he’d finished with a laugh.

“I’m watching it live,” I responded.

You can expect two podcasts, at least four videos, and two articles every month on the site. And he hosts interviews to find and develop worthwhile content for the page. Musicians that join his site get immediate podcast and playlist placement, Youtube features, and promotional assistance all for free. And they can use his site to network, buy/ sell gear, read articles about Louisiana’s music scene, and experience music and videos from Louisiana’s scene. This man means it. He’s chasing the dream. Hop on that train before it leaves the station.

Anyway… All that to say, “Cheers, David.”

I find it difficult to comprehend the passion and commitment David demonstrates with NewOrleansMusicians.com. The schedule, agenda, and deadlines that he upholds for this thing are untenable to me. If I was nearly half as passionate about my own podcasts, I could probably make a career out of it. But I had the same concerns about financial security, the same reasons he maintained his day job, the same uncertainty that plagues any dream. David needs a better work schedule though. I’d like to start a petition…

Author: Tim Tregle

For Neworleansmusicians.com

Please check out my work.

“The Living History Collection” on YouTube. 

www.youtube.com/@WhereYatStudiosLLC

On Spotify, Google, Apple, and Amazon…

Between the Levees and Getting to Know You – Where Y’at Studios, LLC

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Matt Rhombus of Totem

For Matt, the Big Bang occurred at the age of eight when he encountered a family member’s extensive music collection. From this single point in time, his melodic universe began with cosmic bodies like Korn, System of a Down, Slipknot, Weezer, and Alice in Chains. Ever expanding, his exploration has landed him in a galaxy filled with sludge, punk, and rock-and-roll. Bass-heavy grooves have charted his path on this journey and, over time, have become the dominant, more prevalent point of recognition for his vessel of worship known as Totem. While music itself was always at the core of his attraction, camaraderie surely enhanced his gravitation. Like many of us that play, we are inexplicably drawn to an instrument at an early age. And suddenly, the arduous task of finding ourselves as human beings is compounded with finding a sense of musical identity. For those of you that don’t play an instrument, I would liken finding one’s musical identity to getting your first apartment. You don’t have much to do it with. Still, you gather everything you have that you think you will need, and some of what expresses who you are, to establish yourself in this “new” life. Only you’re not sure exactly where you want to live, what you want it to look like, or what you can afford. I have always admired true musicians because not only do they face this head-on at a time in life when they are still unsure of themselves. But they do it out in the open, in front of everyone. And I don’t know if you’ve noticed, but the court of public opinion can be bitter.

Unbeknownst to Matt, he was mentally preparing himself for this quest just two years after honestly encountering music for the first time. He found himself doodling band names on his binders while in class. And at thirteen, to some degree, it had manifested itself physically. His hair was spiked and his jeans had chains hanging from them. Soon his friends would be discussing the idea of starting their own band. He knew several guitar players and a drummer. So, he settled upon bass as his contribution to the endeavor. “I think it was like, a Crescent or something. I remember cracking that thing open on Christmas Eve. And it was just a little beginner bass. But man, I wore that thing out.” At that time, Matt knew the cost of a bass guitar. While he gave it a shot, he was almost sure he wouldn’t be lucky enough to get one. But in due time, he would come to know the value. And while he did dabble in rhythm guitar and drums over the years, he always stuck by his bass. Looking back, he affirms the experimentations became useful tools within his narrative. Because of them, if need be, he can pick up or sit behind either and play.

“Getting better at bass… I think that I actually haven’t progressed, like technically speaking, at playing bass. Like, I don’t think I’m an amazing bass player by any means. But I use the bass as kind of a tool to help me write songs. That’s been the struggle of my past ten years, trying to find my place in the New Orleans music scene in general. Being in one band, being in another band, I’ve decided that I’m not going to put my talent up to somebody else anymore. I’m going to spearhead everything. And that’s why our band right now, Totem, is very bass-heavy and very bass-driven.” Modesty would definitely be Matt’s namesake. And his tendency to cite things like tremolos from Steve Harris and other technical players in the field has perhaps contributed to this mental conflict within him. But his niche and true appreciation for the craft lies within getting into a groove and holding things down to propel the song. Pitting one musician’s take on things against another is misleading. But inside the minds of many musicians, this is sometimes an eternal conflict. Doubting one’s self is by its very nature, misleading. And there came a point in time where this combined with being kicked out of a band had Matt stuffing his gear into a closet and shutting the door. He credits his long-time friend and drummer, Gage Breaux, with forcing him to leave the questions behind and return to the things he loved about the art. Their bond and Matt’s second coming further cemented Totem in the rhythmic, bass-lavish landscape that has become their signature sound.

Sparking an alternate creative direction in Totem with a new guitarist, Max Bonnet, has aided Matt in dusting off the difficulties within him. And intentionally not sticking to one particular genre keeps things fresh. As he pointed out, Boris, The Melvins, and Neurosis have always been bands that inspired him in this vein. Max brings with him a penchant for the shoegaze genre. Which should bring about a balancing effect when paired with Totem’s already established driving bass and drum elements. “Max is like refined energy. And he knows how to put the right dynamics on certain strums and he has more technique. He’s got something going on with him. He’s got this shoegaze background. I don’t know, he was obsessed with shoegaze for a while. He’s got some pretty shit that is really going to help us open up a new door to the psyche-rock domain.” In the past, Totem has been a trio where the bass basically commandeered the responsibility normally taken up by the rhythm guitar; keeping pace in the groove and moving things along a plane. Their drummer, Gage, would reinforce this, adding highlights and directing the change-ups. In the future, much of that will remain the same. But this recent addition will accentuate those priorities while also pulling the direction into question. Totem’s recent EP, For What It’s Worth, can be found on Spotify, Apple Music, and Bandcamp. And it will come to be a pivotal sonic example from the band. Because moving forward, a unique dimension via Max Bonnet will emerge. The newly minted trio is in the midst of writing several songs to add to their EP in preparation for their upcoming album. And in true Totem spirit, it will be exploratory, possessing artifacts of both prior artistic endeavors and future direction.

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Elevation

Registration

Start by creating a profile on Neworleansmusicians.com. Be sure to fill in all the blanks and upload a song. With your registration, you can message other bands and businesses in the industry. You can also list on the show calendar and music classifieds. And any tracks you have on the 12 streaming platforms we are a member of will be added to our public playlists on those platforms. Your music presence online has just doubled!

Short Questionnaire

Because you uploaded at least one track, you are e-mailed a questionnaire. This contains questions about your band’s style, inspiration, and history. Once this is returned, you will be featured in our podcast. Instead of commercials half-way through every episode, we shout out our members. We draw our discussion from your questionnaire answers, and then play an example of your work for the audience to hear.

Upload a video

Once you are a member, you are able to upload videos. This would preferably be footage related to your band, and you do this from your profile. Your video is displayed on our Videos Page and automatically posts to our Youtube Channel. We will also began promoting your video on social media. You’re one of the family now. We’ve got you!

Inquire about an interview

Contact us via e-mail, social, or by phone and inquire about being interviewed. After we verify that you have a complete account with us, we confirm your eligibility and place you in the interview pool. Some of our interviews are chosen from this group, and we make sure to cover every genre. Our interviews result in a full-length Youtube video, a podcast episode, and dozens of shorts posted to YT, FB, X & Linked In. Some are chosen for an article.

Becoming a member of NOM means many things….

In becoming a member of our growing network of Louisiana musicians, you gain many advantages. This site is not like facebook and other social media sites. It exists strictly for music networking purposes. We are onboarding Louisiana bands currently, and will move on to filling Vendor directories soon. These will include venues, sound & light companies, recording studios, and the like from all over the world. Our goal is to empower Louisiana’s talent with tools while remaining exclusive to bands from our state. This is why we only accept bands from Louisiana. Members can message other bands or vendors directly within the site at any time. We personally keep in touch with its members. Promotional material that our members create is shared constantly on our social. You will begin to see your show announcements shared by us. Promotional material that we create for our interviewees is shared repeatedly on social for months. Any leads on gigs that we generate are sent to members first. We have assisted in filling spots at venues, in movies, and on podcasts. Members can earn placement as Artist of the Month by remaining active on the site, getting plays on their songs, and helping spread the awareness of our site. There are three chosen per month. Those bands are given a spot at the top of our home page with a graphic and link. We look forward to getting to know your band and fulfilling your needs. And remember, I will NEVER ask you for money. We have created a line of merchandise and an account at PayPal to help support our efforts. With enough eyes and ears, we also hope to generate money from Youtube and podcast ads. Any money generated from this site goes right back into it, back into supporting Louisiana’s independent artists.

Author: David Trahan

Neworleansmusicians.com

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International Acoustic Music Awards

Register Now for Musician Awards

Take that all-important step to enter the 18th Annual IAMA (International Acoustic Music Awards). Door closes soon, ends next week… Enter Online Now >>


Fellow Musician,

It’s time for you to enroll in the 18th Annual IAMA (International Acoustic Music Awards) now. IAMA promotes excellence in Acoustic Music Performance and Artistry. Acoustic artists in various genres can gain exciting radio and web exposure through this competition. Participating sponsors include Acoustic Cafe and Sirius XM Satellite Radio. Win prizes in 8 different categories: Best Male Artist, Best Female Artist, Best Group/Duo, Folk, Americana/Roots/AAA, Instrumental, Open (any musical style or genre), Bluegrass/Country,. There will also be an Overall Grand Prize winner awarded to the top winner worth over US$11,000, which includes radio promotion to over 250 radio stations in US and Canada.


Why Enter?

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• IAMA (International Acoustic Music Awards), the preeminent musician awards will strategically and smoothly increase your music industry exposure. You could give your musicianship a boost by entering Best Male Artist, Best Female, Group, etc.

The Powerful 18th Annual IAMA (International Acoustic Music Awards) has provided unknown musicians such as Meghan Trainor from obscurity to international super stardom, she hit #1 on the Billboard Hot 100 Charts, Billboard 200 Album Charts and won a Grammy for Best New Artist. Just turn on Top 40 radio and you will hear any of her hit songs.

• If you’re not sure what Acoustic Music Awards is, that’s fine. At one time many music acts didn’t know what it was either…same with many of the past winners. However, being in its 18th year really means something.

So click here to online now while you can >>

It could be the all-important key that will lead to bigger opportunities you should have been earning a long time ago.

Hear What People Are Saying:

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“I am very excited and surprised to win” ~ Meghan Trainor, 6th Annual IAMA Best Female Artist Winner. She hit #1 on the Billboard Hot 100 Charts, #1 on the Billboard 200 Album Charts, won a Grammy Award 2 years ago for Best New Artist. Her debut single is one of the best selling debut singles of all time, selling over 15 million copies and hitting #1 in 58 different countries, becoming a global household name.

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“I am thrilled and honored to be recognized. It’s also inspiring that my song “Put the Gun Down” that addresses such a pressing issue in a personal way, can have an impact and win this award ~ Jonatha Brooke, Top winner of the 15th Annual IAMA (International Acoustic Music Awards)

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“I was fortunate enough to win the Grand Prize at the International Acoustic Music Awards. That was unforgettable. The people there hooked me up with gear I would never have been able to afford. I’m
so grateful …” ~ Jack Newsome, 2015 Top Winner

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“Wonderful and thrilled by the award” ~ Bertie Higgins & the Bellamy Brothers, 2016 Best Folk Winner, both multi-Platinum music artists with #1 hits such as “Key Largo” and “Let Your Love Flow”.

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“I’d like to thank the IAMA for the honor of this award. It’s nice to know that there are still nice surprises around the bend on this long winding path of a career. I love a good song — writing them, hearing them by other people, and sharing them that seems to fit into the mission of IAMA. Thanks for reminding me I’m on the right track still!” ~ Ellis Paul, Top winner of the 16th Annual IAMA (International Acoustic Music Awards)

“Kudos to IAMA for giving artists a chance to be heard and to build a career they may otherwise not have had” ~ Diane Stilwell, musician

“This is an excellent achievement for you and your winners, this also shows what a great competition the International Acoustic Music Awards is. Congratulations to both Meghan and the IAMA” ~ Cameron Ingram, singer-songwriter

*[DEADLINE APPROACHING] Hurry, enter by November 5th or earlier. Winning songs will be on the Acoustic Music Compilation CD and radio!

Enter Music Awards Now… Click Here >>

Don’t confuse this competition with the traditional reality TV show music competitions you’re used to be getting over the years like American Idol, the Voice and X-Factor.

Your music DOES get listen to, period.

They’re simply the value you’ll get by entering the 18th Annual IAMA….

Still waiting to enroll? You will be making a bigger impact if you do…. don’t wait till the last minute!

Click Here to enter Now >>


Best Wishes & Dedicated to Your Music Success,

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Jessica Brandon
Artist Relations, IAMA (International Acoustic Music Awards)

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P.S.: Take action – register now! To save time, you may enter online with your songs on YouTube, Soundcloud, or Reverbnation. It only takes seconds to upload your songs and profile!
P.P.S.: But you must enter by November 5th 11.59pm, or earlier. Don’t miss out… Enter Online Now >>

Neworleansmusicians.com Podcast can be found on these platforms.