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2025 Year in Review

Yearly reviews began as a standard I set to benefit myself, the fans, and the musicians that are members of Neworleansmusicians.com. Transparency is essential for letting people know what they can be a part of when joining my site. These reviews also serve as a healthy way to remind myself and let it be known to others what I have accomplished for my site and for musicians across Louisiana. Regardless of your chosen profession or hobby, taking personal inventory provides an invigorating look at your past and lends direction to your future. I highly recommend this practice to everyone. So, here is a look at year four in the world of Louisiana music on Neworleansmusicians.com.

Coverage of our music scene spanned across every podcast platform, six social accounts, my website, my blog, and my Youtube channel. Coverage included a new music label, a recording studio, a music magazine, a zydeco origin documentarian, a music television producer, several DJs, musicians of all instruments, many album releases, and complete tours. Genres stretched from funk to country to grindcore to hip hop and beyond.

Macro takeaways:

  • An infusion of a sense of unity through the honest depiction of life’s battles shared by all musicians, both on and off stage.
  • The repeated expression of desire for community and cohesion amongst Louisiana musicians.
  • The prevalence of an absence of knowledge within the realm of music business including the fear and uncertainty associated with it.
  • A simplified look at key turning points in musicians’ paths to success.
  • How crucial reflective thought really is and what we can learn from the hindsight of others. 

Micro takeaways:

  • Vocal and instrumental techniques
  • Recording studio preparedness and practices
  • Booking and marketing tips
  • Preserving your health and mental wellbeing
  • Overcoming drug and alcohol addiction
  • How to use live crowds as a resource
  • Specific pitfalls to avoid in business and personal lives

And the best part about all of this… these are all gems from Louisiana musicians and music business professionals.

Interviews:

NOM kicked off the year with radio DJ/producer/booking agent Anthony Daniels and ended it with vocalist Ghalia Volt. Also showcased were members of bands that have been in existence for decades and have toured the world many times over like vocalist Mike IX Williams of EYEHATEGOD and vocalist Jason Pilgrim of Flesh Parade. In other coverage, notable discussions included methods of experimental sound, drawing inspiration from tragedy, the demise of the rave scene, and navigating foreign countries while on tour.

Video:

I launched vertical format in the form of short videos and consistently averaged 80-120 shorts a month. I began posting on six social platforms every day. I also created an additional slot within my long-form videos. I’ve always featured a band in the intro to my videos and now I have a slot in the middle to feature more bands. This enabled me to feature 84 bands within 39 artist interview videos. Also, this year I was able to expand the variety of production to include things like behind the scenes, music videos, and a band mockumentary.

– Youtube Results:

334.5K Views (previous year 8.9K) UP 325.6K

3.7K Watch time (previous year 818.3) UP 2.8K

431 subscribers (previous year 127) UP 304

17.4K monthly audience (previous year 142) UP 17.2K 

Online Presence:

Some of Neworleansmusicians.com’s online accounts had lain dormant due to lack of a feasible way for me to post in so many locations. I spent some extra money this year on subscriptions to services that would consolidate and streamline this process. With more work and this creative and logistical edge, things not only kept moving, but they also improved! I maintained 16 genre-based playlists on 11 music streaming platforms, adding countless artists to these rosters. They contain mainly music from site members and a few artists I have interviewed.  Facebook was always a mainstay. But I also began posting content dailyto Youtube, LinkedIn, Twitter, and Instagram, including an expansion to TikTok. I was able to increase overall audiences across all social platforms. Unfortunately, LinkedIn does not serve these statistics. But my most notable strides were as follows:

Facebook: added 2,493 followers (1.2 mil views)

Youtube: added 431 subscribers (334.5K views)

Instagram: added 220 followers (52.5K views)

TikTok: added 328 followers (43.4K views)

Website:

Providing a networking website with user-generated content, video and audio streaming and all sorts of other bells and whistles has undoubtedly been my most expensive undertaking ever. But this is a passion project that, year after year, has unified so many artists with a place to converge and display their talents. And it is a place that truly rewards them for their efforts, asking nothing in return. Amid the on-site buzz and activities, I was able to add 29 new site members. With them they brought 62 songs, many of which I featured in my podcasts and videos. Honestly, there were too many music additions by existing site members for which to account. And so many of those were showcased on my podcasts and videos as well. This year undoubtedly set records in terms of new music content on Neworleansmusicians.com.

Podcast:

This year I made the decision to apply to the Audacy Podcast Platform and was accepted. Under their umbrella, Audacy has enabled me to broaden my audience and gain sponsorships. Due to the migration, annual statistics for the podcast could not be collected. But I did implement a new podcast tracking system that can finally span all platforms accurately. I look forward to discovering what a year looks like in terms of listenership for 2026. I produced and published 24 episodes, interviewing 20 artists in our scene. Some of these interviews were so interesting to me personally that I had to create part two! And I have to say this. After sitting with these musicians and hearing their life stories, I possess a love and admiration for these people that I cannot describe. I’ve stayed in touch with many of them and have always made myself available for their subsequent calls or requests.

E-commerce:

In 2025 I completely redesigned the look of NOM’s e-commerce store. I also introduced 20 new original clothing designs that can be found only on my site. Frankly, I’m jealous because I can’t afford to own them all! I added sizing charts to many, if not all, products. I also consolidated the manufacturing list to include as many domestic labels as possible, shortening shipping times and lowering retail prices. Methods of payment now include 8 credit card companies, Shop Pay, Paypal, and seven different cryptocurrencies. I am excited to offer clothing designs reflective of Louisiana’s music scene and offer them inexpensively.

Because of Neworleansmusicians.com, the thoughts and voices of Louisiana’s musicians were delivered to over 1.6 million people across the world. The reach of their albums, shows, and life experiences were amplified exponentially. Musicians were connected with opportunities, and the strength of our community was emboldened. This came at zero cost to our musicians, listeners, readers, and viewers. It is what the Neworleansmusicians.com logo stands for; community, strength, and freedom. If I were to point to a specific brand identity it would be this. I appreciate you taking the time to celebrate 2025 with me and usher in the new year.

Author: David Trahan

Neworleansmusicians.com

NOM on Youtube: https://www.youtube.com/@neworleansmusicians

NOM Podcast: https://pod.link/1617150338

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David Trahan

In mid-January of this year, I was joined on one of my new podcasts by the proprietor of NewOrleansMusicians.com. We met originally on the Mississippi River in a previous life and time under considerably different circumstances. I wouldn’t call it a chance encounter as it was our respective day jobs that brought us together that morning, but it was, without question, an intriguing introduction. He wasn’t like any other I’d met in his position. Little did I know the complexities of the man standing before me.

The opportunity to observe and study David’s mind in action was one with which I’d been eager to embrace. I wanted to know what made him tick. There was an odd connection that morning on the river. I most certainly had a sincere interest in his intended topic of discussion for our podcast visit, but also very much in the side of him that he seemed to be low-key deliberately keeping separate from his web presence. I appreciated his candor and participation in my podcast project, and owed him the very same respect he’d shown me, though our very first moment meeting would have suggested no such thing. 

I was working for one of the largest towboat and barge companies in the country, and his employer was no slouch either. They were a contractor for us. I’d boarded the vessel at an opportune time where I got to spend time with back watch first. Back watch had the characters (I thought). Some of those guys preferred it. It was such a different pace of life out there.  I could feel it in the air in the wheelhouse that morning.  A certain choking silence intruded as he came back up for his next six-hour watch.  A flurry of perceived thoughts resounded across the space between us and in that glare that stared at me as he came up those steep, wooden stairs…

“You mother fucker. I haven’t had coffee yet. Who the fuck is this guy? Why is he in my wheelhouse?”

And then the other pilot chuckled his way back downstairs.  I may have fabricated these thoughts in my recollection and retelling here, but anyway, I digress.  I paused for a moment when he first appeared before me. I blinked myself into quiet and regained my composure. This guy was different.  He was distracted by a pointless distraction, but I was really only there to make money.  I had a household to support.  I’d been visiting boats to help coach pilots on a new computer system every other week for a while by then.  David didn’t really need my help in the system. A few pleasantries and minor questions about the new system precluded a much deeper and more engaging conversation.

It turned out that our mutual misconceptions were forgotten when the coffee pot began dripping behind him. I kept in touch deliberately over time. He wanted to promote his project on my new podcast, and his passion for this website I hadn’t heard of was clearly evident and on display. I didn’t much follow the music scene these days, but I was, indeed, from just outside News Orleans.

My podcast projects document the lives of my guests from a broad array of origins and journeys through life. I’d kept in touch with David over the few short years since we’d first met, and often discussed the side projects upon which we’d both been so feverishly working on our time off. In one of the more recent of those conversations, he shared the story of a passion project of his to develop a service for the local music industry in The Big Easy that had been in production for many years, lingering forever in the back of his mind.

‘I sat back in quiet awe as I studied the backdrop before which he sat looking toward me. His studio mic reached out from left to right on screen and sat ready at his chin. He’d done this before. I knew this should be a good one.’

The conversation began as they all did, and I learned we grew up in the same area of southeast Louisiana just outside New Orleans, but we did so a decade apart.  It was a different world.  He was in my older brother’s generation, but some sort of trust had somehow developed between us over time. There was an unspoken acknowledgement of mutual respect, understanding and comprehension, but from when he had first left home to the time I met him, our lives couldn’t have been more divergent.  

His journey through life began as most others do. He showed up one day in 1976 and developed a love and appreciation for music at a very early age. Gifted in school, but drawn more to life in the streets, he found himself traveling aimlessly down the wrong path.  Disenchanted and distracted, he didn’t even finish college. Working odd jobs between and after classes wasn’t cutting it, nor were the jobs he’d been able to secure in the interim after cutting ties with his tertiary education.

The need and desire for disposable income and a happenstance job listing led him to a career entirely unrelated to music. It provided a path and direction out of trouble and well offshore.  Amidst a developing career in an industry to which he’d had little to no exposure previously, an opportunity arose for him to acquire the full rights and ownership of a website project he believed in. He endeavored to secure a web presence and acquired every available domain he could that may pertain to his new project.

His respect for the industry in which he worked professionally, and the knowledgebase upon which he drew on the job, led naturally to the drive and ambition that structured his pursuit of the passion project he sought to develop online when he was at home. It had become an obsession. With a growing family and an already demanding career, NewOrleansMusicians.com had not fallen by the wayside. It remained at top of mind for him no matter where he was or what he was doing.

What began as a networking tool for local bands, the website, NewOrleansBands.net, had grown organically to about 300 bands in its original configuration. The website was hosted out of town, so it remained online through Hurricane Katrina in late 2005, and kept local bands in touch with one another. David’s intended acquisition was delayed due to his job offshore, but in all of his spare time, he was drawing out by hand every page he’d imagined for the website he sought to own.  

The challenges of web development at that time were obstacles preventing his dream.  He persisted nonetheless. In 2021, after years of spending money to maintain an excessive amount of owned domain names that tied directly to his website, he was spurred by a wife that had seen and heard enough about it.  Since then, he found and hired a programmer to deliver the dream he’d envisioned. While he hasn’t yet realized the grand design, he’s moved it every month toward the finish line.  If you’re a band anywhere in the state of Louisiana, or a part of any supporting service for the entertainment industry, check out NewOrleansMusicians.com.  

Grow together.  Geaux together.

We touch on his wife and family after he paints the dreamscape of his website.  Then, from rebuilding a ’76 Chevy to tinkering on the piano, the website still outshined the rest. There was a certainty about him, a dreaminess, a gleaming eye. He knew he wouldn’t be where he was without the nudge of the support system that awaited him at home for ten days at a time on repeat seemingly forever.

“Here I am all grown up, Tim,” he’d finished with a laugh.

“I’m watching it live,” I responded.

You can expect two podcasts, at least four videos, and two articles every month on the site. And he hosts interviews to find and develop worthwhile content for the page. Musicians that join his site get immediate podcast and playlist placement, Youtube features, and promotional assistance all for free. And they can use his site to network, buy/ sell gear, read articles about Louisiana’s music scene, and experience music and videos from Louisiana’s scene. This man means it. He’s chasing the dream. Hop on that train before it leaves the station.

Anyway… All that to say, “Cheers, David.”

I find it difficult to comprehend the passion and commitment David demonstrates with NewOrleansMusicians.com. The schedule, agenda, and deadlines that he upholds for this thing are untenable to me. If I was nearly half as passionate about my own podcasts, I could probably make a career out of it. But I had the same concerns about financial security, the same reasons he maintained his day job, the same uncertainty that plagues any dream. David needs a better work schedule though. I’d like to start a petition…

Author: Tim Tregle

For Neworleansmusicians.com

Please check out my work.

“The Living History Collection” on YouTube. 

www.youtube.com/@WhereYatStudiosLLC

On Spotify, Google, Apple, and Amazon…

Between the Levees and Getting to Know You – Where Y’at Studios, LLC